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| Blenheim Spring Series Highlights |
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Blenheim Spring Classic III
Congratulations go to Michelle Parker and Socrates on their win in the $35,000 Spring Classic III Grand Prix, the only pair to prevail over the Olaf Petersen Jr. (GER) indoor course on Friday, April 10th. The team maneuvered their way through what turned out to be a crash course for many a horse and rider. Challenging elements included but were not limited to jump two, a large EquiFit, inc. plank oxer at an angle towards the audience, the triple combination mid-way through the course, number nine the plank vertical that came up quickly and was placed right by the gate as well as a wide oxer at fence eleven.
The almost clean four-faulters were among the top ribbons, fastest was Ali Nilforushan on his new mount Green Sleeps Vioco who took second, followed by Suncal’s King and Joie Gatlin. Kasey Ament rode well on Siendifie ending up with four and fourth. And so on, with the tenth place Santika and sixteen year old Samantha Harrison having twelve faults. Simply getting around the course was a feat, as six of twenty-one entries did not make it through to the final jump.
One rider had a fall with only the last line left to go. Her horse decided he hadn’t jumped enough, so he schooled himself, galloping around and gleefully leaping over not just one vertical, but over some rather tall bushes, back over the vertical, and around to the two-stride combination, tossing his head at those who attempted to catch him and avoiding those who wisely tried to keep him from jumping out of the show arena.
A real crowd-pleaser, as all who watched in amazement laughed out loud at the antics. Several minutes later all was well, the rider was unharmed, her horse was well-schooled and the show went on. Photos © Flying Horse Photography.
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Place |
Horse |
Rider |
Owner |
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1 |
Socrates |
Michelle Parker |
Cross Creek Farms, Inc. |
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2 |
Green Sleeps Vioco |
Ali Nilforushan |
Ilan Ferder |
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3 |
SunCal's King |
Joie Gatlin |
Joie Gatlin |
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4 |
Siendifie |
Kasey Ament |
Chris Surbey |
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5 |
Mmc Electrifying |
Liz Denny |
MMC Electric Investments |
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6 |
La Boom |
Lisa Carlsen |
Cindy Down |
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7 |
Fripponier II CH |
Paige Dotson |
The Dotson Family |
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8 |
AW Butterfly Hula |
Leslie Steele |
Leslie Steele |
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9 |
Coolio |
Jonathan Asselin |
Attache Stables |
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10 |
Santika |
Samantha Harrison |
Harrison Farms, LLC |
Blenheim World Cup Warm-Up
This week in Las Vegas four West Coast riders along with a California-based Australian will compete alongside forty or more top ranked international equestrians for the world title and some big time prize money. Recognizing these individuals for achieving the honor of qualifying, as well as horse/rider combinations who have earned more than 25 World Cup points in the U.S. West Coast League during the 2008/2009 season, each rider has the chance to practice over a non-judged, simulated course in front of a live audience before they head to the Finals.
Prior to the start of the $35,000 Spring Classic III Grand Prix, the riders were given three minutes to jump, and re-jump if they so choose, all or part of the indoor course set at a “soft height” (1.50m). Four horses and three riders participated in the exhibition – Ashlee Bond rode both Chivas Z and Cadett 7, Ali Nilforushan took Warco Van De Holhoeve and young New Zealand rider Anna Trent, in the US to compete at the World Cup Final, tested her indoor skills on Levitation. Few rails fell, so it appeared to be a positive school for these four horses as they head to Las Vegas. Best of luck!
Blenheim Spring Classic II: No Such Thing as Can’t for Cantano!
Flashback to the 2008 show season where a beautiful bay stallion ridden by a veteran show jumping great made an outstanding debut in the Grand Prix field. Win after win this pair proved their prowess throughout the season. Welcome back to the winners circle Susie Hutchison and Cantano, owned by El Dorado 29, who were picture perfect in the $35,000 Spring Classic II Grand Prix on Saturday, April 4th.
Ninth in the ring and first to go clean, Susie and Cantano set the stage for a five horse jump-off. The track proved to be just tough enough for numerous four-fault rides, including a tricky triple combination line that resulted in a bit more than a rail for some riders in a class of twenty-five.
As with the first round, so it was with the jump-off - Susie and Cantano took the lead going clean in 41.15. Next in Chris Pratt aboard Indigo Farms G5 took a shot at the lead, clean in 42.68, which ultimately was good enough for third place. Erin Duffy had a great time on Cavalier Knight, owned by Wendy Wilkinson, but also had one rail down, landing them in fifth overall. Max Dolger rode his own Vulkan Du Martalet CH neat and clean in 48.86, leaving just Eddie Macken and Tedechine Sept, owned by Robinson-Ballantine. Out for the win, the pair came very close, crossing the timers in 41.34, just under two-tenths of a second slower than the winning time. Photo © Flying Horse Photography.
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Place |
Horse |
Rider |
Owner |
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1 |
Cantano |
Susan Hutchison |
El Dorado 29 |
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2 |
Tedechine Sept |
Eddie Macken |
Robinson-Ballentine |
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3 |
G5 |
Chris Pratt |
Indigo Farms, LLC |
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4 |
Vulkan Du Martalet Ch |
Max Dolger |
Max Dolger |
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5 |
Cavalier Knight |
Erin Duffy |
Wendy Wilkinson |
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6 |
Pandrels |
Joie Gatlin |
Laura Hite |
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7 |
Green Sleeps Vioco |
Ali Nilforushan |
Ilan Ferder |
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8 |
David |
Lane Clarke |
Anne Cole |
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9 |
Muscadet de la Saveniere |
Veronica Tracy |
Veronica Tracy |
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10 |
Country Girl |
Holly Scapa |
Holly Scapa |
Blenheim Spring Tournament: San Diego Heading to Las Vegas...
Kicking-off the 2009 Blenheim EquiSports horse show season, the $50,000 Orange County Register Grand Prix on Saturday, March 28th was the final of eleven World Cup qualifying classes held on the West Coast. Out of fifteen entries, three riders finished fault-free. Mandy Porter rode San Diego, owned by Danielle Korsh, to the win in an exciting race-to-the-finish jump-off. Tough to beat, Canadian rider John Pearce aboard Chianto went fast and clean in 37.59. Although also fast, 37.91, Richard Spooner and his mount Cristallo had a rail down for four faults. Porter atop San Diego beat the boys cruising around clean and fastest of all in 35.51. The victory confirmed Porter’s top position on the World Cup rider list.
When asked about the difficulty of the Grand Prix course created by Canadian Peter Holmes, Porter said, “The course gave us good prep for the World Cup
Finals in Las Vegas. I think it sends us
[riders] away on a positive note.” Photo © Flying Horse Photography.
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Place |
Horse |
Rider |
Owner |
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1 |
San Diego |
Mandy Porter |
Danielle Korsh |
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2 |
Chianto |
John Pearce |
Alison Moore |
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3 |
Cristallo |
Richard Spooner |
Show Jumping Syndications Int'l |
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4 |
Warco Van De Holhoeve |
Ali Nilforushan |
Ali Nilforushan |
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5 |
Kiss The Sky |
Lane Clarke |
Horsemanship Unlimited |
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6 |
Jor De L'elnon |
Guillermo Obligado |
Woodgrove Farm |
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7 |
Cassiato |
Harley Brown |
Oak Park Group, LLC |
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8 |
Kaskaya |
Jill Humphrey |
Leone Equestrians Inc. |
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9 |
Kasoar D'uxelles |
Laura Teodori |
L&M Ventures LLC |
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10 |
Don Francisco |
Alicia Jonsson Foster |
Alicia Jonsson Foster |
Four Riders and an Australian
As many of you know, based on points earned over the 2008/2009 World Cup qualifying season, the top three riders (not horse/rider combinations) are invited to compete at the 2009 Rolex FEI World Cup Finals, held in Las Vegas, NV. The results of a truly exciting season placed three fabulous US riders in those spots, Mandy Porter, Ashlee Bond and Richard
Spooner. Two international veterans and one rising star make up a very viable threesome representing the West Coast. Mandy will ride San Diego whom she has taken from the junior jumper arena into the indoor World Cup arena with grace and beauty. To be commended, as the pair just started together as the season began last fall. Ashlee will be aboard her relatively new mount, Cadett 7. The team did well last summer in outdoor venues such as the international field at Spruce Meadows, but were unproven indoors. Two wins and many solid placings later, they earned a well-deserved spot on the list. With a solid string to choose from, Richard is planning to take Cristallo and Ace and determine which will be his World Cup mount once in Las Vegas.
Next in line to compete would be the fourth in the point standings, and if they decline, the fifth, and potentially the sixth if the fifth in line choses not to compete. Unprecedented events occurred this year, as Gold Medal Olympian Will Simpson (ranked 4th) and previous World Cup competitor Jill Humphrey (ranked 5th) voluntarily stepped aside to allow Rich Fellers (ranked 6th) to be the fourth rider from the West Coast. Truly sportsmanlike as this is not a team competition, hats off to Will and Jill. And what a coup for the West Coast as the 2008 World Cup Final second place finisher, Rich on the
phenomenal Flexible step up to participate
in 2009.
Lest we forget our foreign riders who make California their home away from home, Harley Brown piloted the talented Cassiato to wins and top ribbons throughout the season, resulting in enough points to represent Australia in Las Vegas this World Cup.
More on all these riders in our World Cup Preview in this edition - click here.
Equitation & Hunter Highlights
Special events earlier in the Blenheim Spring Series included other disciplines – on Friday night of the Blenheim Spring Tournament professional Marla Amormino riding Guns ‘N Roses, owned by Oscany Inc., won the Open Equitation Classic A class for professionals, juniors and amateurs. A variety of talented riders competed including trainers Peter Lombardo and Hap Hansen as well as junior riders Taylor Harris and Theo Boris.
Five teams rode in triplicate during the Blenheim Spring Classic II in the first Hunt Teams class on the west coast in many years. Erin Duffy’s team of three went home with the blue. Never dull, we hope this class comes back next year!
The west coast’s third $10,000 ASG Software Solutions USHJA International Hunter Derby of 2009 illustrated yet again that when challenged our hunters can rise above. With each Derby our riders and horses are faced with new questions. If they have trouble ‘answering’ them, you can be certain this class offers some great schooling at the least.
The main trouble spot on the Scott Starnes course turned out to be the natural verticals set between the grand prix field and the hunter field. Not something these 24 show horses are asked, or trained, to do – jump out of the arena! And with another vertical in sight two or three strides away. Caught many a horse and rider off guard. A handful of hunters answered the questions asked with style and came back in Round 2 with more pizzazz. With plenty of room to gallop boldly and show handiness over a trot jump and a natural vertical-to-vertical bounce, a few moved up with measurable bonus points awarded for their handy efforts. As always a great class to watch and we take our hard hats off to those who hunted around in true derby fashion. Photo © Flying Horse Photography.
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Place |
Horse |
Rider |
Owner |
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1 |
Allegro |
Jocelyn Neff |
Donna Neff |
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2 |
Mandarin |
Peter Lombardo |
Jane Fraze |
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3 |
Aragon |
Tanya Cook Looker |
Tanya Cook Looker |
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4 |
Copa Cop Medi |
Jamie Taylor |
Francie Snedegar |
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5 |
Azlan |
Gabbi Langston |
Fastball Farm, LLC |
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6 |
Capone |
Cayla Richards |
Stephanie Danhakl |
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7 |
Y2K |
Jennifer Stillman |
Hap Hansen |
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8 |
Holy Cow |
Teddi Mellencamp |
Harriet Posner |
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9 |
Tolan |
Kristin Russell |
Jane Ingman-Baker |
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10 |
Class Action |
Navona Gallegos |
Bar X Ranch, LLC |
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| EquestriSol News |
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We are pleased to announce websites for Harley Brown and
El Campeon Farms:
harleybrownequestrian.com
elcampeonfarms.com
And look for pages of 2009 HITS Desert Circuit achievements from Waldenbrook Farm in the latest edition of ShowBiz Magazine.
Congratulations to everyone on a great winter season and fabulous start to the spring.
Contact us to be a part of the EquestriSol newsletter: info@equestrisol.com | 310.930.2744
See you at the World Cup!
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| Conversations with Course Designers |
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An Afternoon Chat with Peter Holmes
BY JACKIE MCFARLAND
During the first week of the Blenheim Spring Series, which was host to final World Cup Qualifier, we took the opportunity to speak with Canadian course designer Peter Holmes.
How did you become a course designer? What is your horse history?
PH: I was raised with horses in Victoria, British Columbia. My mother was a horsewoman in England, and I grew up doing a bit of everything: western, arabs, eventing and then I got into hunter-jumpers.
In the late ‘70’s and early ‘80’s I started designing courses at the family farm and for the local shows. As I got into jumping we had more jumping shows. Back then, no one else would do it – designing courses was a fair bit of work. ‘Design’ usually meant not only designing the course but bringing the jumps to the show, unloading the trailer, setting the course with whomever was around plus competing on the course you designed!
After graduating college and managing a stable for ten years I started designing further afield and did my first Grand Prix for Diane and George Tidball at Thunderbird in the mid ‘80’s. My interest in course designing grew and I took it up full time in the late ‘90s. Throughout I gained valuable experience working at Spruce Meadows
Your course design mentors?
PH: Pamela Carruthers and Leopoldo Palacios.
You design courses for Children’s jumpers through World Cup Qualifiers. What factors go into the engineering
of the different courses for the variety of levels?
PH: For a while I did get course designers disease – doing things that are clever, but not so good for the horses; it wasn’t good course designing. I remember one day Albert Kley (Spruce Meadows Riding Master) said to me ‘Peter, what are you doing?’ It was the trainers who talked
me into coming back down to earth.
Your perspective changes a lot with experience - you see things from a different viewpoint. With good course design, you want horses to go well. In the end, your goal is for the riders to have success on course and the horses to enjoy it. I truly love watching horses jump. My favorite moment is when a rider pulls up after completing a course and pats their horse.
How do you determine difficulty for the field?
PH: Coming in from Canada I may know many of these riders, but I don’t always know all the horses they are riding now. I usually do numerous things to get to know the group – first I set a more generous course early on in the week and then watch and see what’s happening. I do a lot of listening and hear tidbits from the riders. Plus I inquire with show management to see what their goals may be for the show or for a particular class.
Like a course for tonight – the final World Cup Qualifier...
PH: So I asked Robert Ridland and the technical delegate Bernie Traurig – to get their sense on how the course should ride. They know how the horses are going better than I do. They’ve seen them all season. We are all part of a team – all trying to achieve the same goal – a good experience for horse and rider. We decided not to go overly scopey – the horses jumped well on Thursday and you want the horses jumping well this close to the World Cup. We don’t want to get them backed off right before the Finals. Apparently the group has done some hard trials – so they just need a good refresher.
So would you say it’s a ‘soft course’?
PH: (as his eyes light up) Oh no, it’s definitely not soft. Anyone who thinks so should get on and give it a go!
So how many do you think will
be clean?
PH: I would like to have the ones that are jumping well to be rewarded with a clean ride. Maybe five will jump clean. But in some ways you never know.
Tell us how a course like the one tonight evolves for you...
PH: You start with a piece of the course that you’re thinking about – then you work from it. Tonight – the opening line is a possible type of line you’ll see in a World Cup class. You actually have a little more room in this ring – so the four/five to a four (long to short) like I built could potentially be a three to a three in the World Cup.
Horses are fascinating – what is hard for one is not for another. Or sometimes where you think there is a test on your course, the test ends up being elsewhere. There are so many variables in the sport, it’s what keeps designing interesting.
What are your immediate and long- term goals?
PH: Well my life has changed a bit - I just got married and I am really enjoying my life at home. So now I’m adjusting my schedule, I’m not on the road for months in a row. Danielle has her own career and we both like it at home. This means designing at a few less shows and taking a few more breaks in-between shows.
A great plan – we all wish we could take more breaks! Thank you, Peter,
for your time and expertise.
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| 2009 Rolex FEI World Cup Preview |
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Eastern and Western US Leagues Look Strong
BY ERNA ADELSON & JACKIE MCFARLAND
After a long run beginning with the turn of this century and ending in 2009, the FEI World Cup returns to Vegas for the last time this decade. We understand the soonest it would return to the West Coast is 2015. This knowledge comes from the remarkable John Quirk, who will be featured in our World Cup Wrap-Up Issue online. He generously allowed us an interview even under an impending deadline to complete the 2009 Rolex FEI World Cup Finals Program.
Appropriately, the riders assembled to compete from the West Coast League are arguably the most exciting group to represent the western United States since the World Cup originated 20 years ago. Richard Spooner, Mandy Porter, Rich Fellers and Harley Brown of Australia represent the veterans, each with upwards of 20 years experience though they are all known to be quite gutsy, while Ashlee Bond, though not exactly new to show jumping, will turn just 24 during the competition.
We should mention that the East Coast League includes some solid riders. On top of the point rankings sits the young Kent Farrington, all of 28, who tied for eighth in Sweden last year on Up Chiqui. Olympians McLain Ward and Beezie Madden are on the list; Ward and Sapphire is as superb a match as Beerbaum and Shutterfly. Madden has a greener mount, Danny Boy, which could prove challenging. Add Todd Minikus, Lauren Hough and Christine McCrea, none of whom are new to international competition. Darragh Kerins earned enough points to represent Ireland. Rounding off the youngsters are Hillary Dobbs and Michelle Spadone, also in their 20’s, maybe not contenders to win but strong up and coming show jumpers.
2009’s USA West Coast League is without a doubt unconventional. Rich Fellers and Flexible, the wild card entry, are making the trip due to the sportsmanlike generosity of both Will Simpson and Jill Humphrey, the next riders in line based on points, who turned down the spot to allow the 2008 Rolex FEI World Cup Reserve Champion team to compete. Mandy Porter will pilot San Diego, an unexpected standout on the World Cup qualifying tour on a horse she was just “keeping fit” for Young Rider owner Danielle Korsh. Harley Brown on Cassiato, nominally representing Australia, considers himself a more appropriate representative of the California Republic. The pair will be schooled by the well-known Judy Martin, since the Australian Chef D’Equipe, is unable to attend the event.
A promising rider as a teen, Ashlee Bond took a hiatus from riding but is now storming the scene on Cadett 7. That Richard Spooner could compete on Cristallo or Ace is not surprising—the West Coast’s ubiquitous pinup has been to the World Cup Final ten times before, finishing fourth in 1998. Even in Vegas, those odds say he’s due...
Note for all you new media mavens, follow all of the updates from the World Cup at: www.twitter.com/equestrisol!
West Coast World Cup Rider Interviews
A World Cup course asks many questions: Technical skill, rideability, scope, and athleticism of horse and rider are challenged by sharp turns, tricky distances, and tall obstacles. In our World Cup Wrap Up Issue we will meet with course designer Anthony “The Architect” D’Ambrosio, who will be ably assisted by Leopoldo Palacios, to discuss not only who will come up with the ultimate answers to the issues on each course, but how they tested these top international riders.
For this World Cup Preview Issue we took a closer look at the West Coast exhibitors in hopes of uncovering what else makes up the stuff of a show jumping luminary. Richard Spooner, Rich Fellers, Mandy Porter, Ashlee Bond, and Harley Brown spoke candidly about their preparations for this particular final, the challenges they have overcome previously as riders and as athletes in order to take the stage in Las Vegas, the trainers and the horses that have assisted and inspired them along the way, what they would do if they didn’t spend so much time in the tack, and even about the soundtrack that accompanies the ride.
Veterans and rookies alike were both candid and grounded in their replies.
When the World Cup week is just 7 days out… what’s your plan?
Richard Spooner: Keep the horses fit and don’t overdo. We’ll jump two-three times during the week up to the final. I try not to change routine for championships and big classes – I have a lot less chance of messing things up that way!
Ashlee Bond: We didn’t have to show at the last qualifier, so Cadett essentially took that week off, just did the treadmill for an hour. Back to work Monday of this week, Dad will get him back into fighting shape on the flat, then he’ll jump Tuesday and do the indoor exhibition class at Blenheim on Friday. After we arrive in Vegas on Monday, we just relax.
Mandy Porter: Keep the horse fit, fresh, and happy. He’ll be on a regular work schedule, not too much jumping before he goes, some trail rides working up and down hills, flatwork. Though I’m not riding in the exhibition class the Friday before we leave, I’d like to thank Blenheim for thinking of us.
Harley Brown: Trail rides going up and down hills. He may jump twice – gymnastics, some bigger jumps in the second session that’s it.
Rich Fellers: Flexible finished up in Thermal really jumping well, which was his last show. He had a light week last week – eurociser, light hacks. Now this week some good, hard flatwork and he’ll be ridden twice a day for extra conditioning. Two school sessions – one with smaller jumps and Friday a bigger school. Saturday he’ll get on the truck and head to Vegas.
How to contend with show life in the Vegas venue:
Spooner: In Vegas the lights are on all night, and the horses are in the flight path, so it can be very unsettling and the horses lose sleep. I try to keep them happy with massages and even some magnetic blanket therapy.
Porter: This horse takes pretty good care of himself, not a nervous type. He is happy in his stall.
Fellers: I might actually go in and find breaker boxes and turn off lights in Vegas if they’re disturbing.
Brown: This will be Cassiato’s maiden International competition, so we’ll do our best to treat is like any other horse show – just the jumps are bigger!
How you will ride the World Cup Warm-up on Wednesday morning? (Note that riders can also bring a horse to compete in the Las Vegas Grand Prix on Saturday)
Spooner: Go slow, ride deep in the corners, and let them know that it’s a good place to be. I’ll actually choose between riding Ace or Cristallo in the first round based on the one that feels the most comfortable on warm-up day.
Bond: Show Cadett as much of the ring as I can, get into the corners, maybe jump a combination or an oxer—he knows what he’s doing. Chivas Z will do the whole course to get acclimated.
Porter: I probably won’t do a whole course but there’s no real strict plan. It will be based on how he feels.
Fellers: With Kilkenny Rindo I’ll focus on adjustability and rideability, he isn’t as experienced. I won’t have to do much with Flexible, he’s a showman that loves his job, but is very excitable so I’ll try to make it fun without fatiguing him.
Brown: I will get him into the corners; give him a good look around. Use as much time as I can to get him settled in the ring. He’s an 18-hand warmblood but he’s got a thoroughbred brain – very electric and thinking all the time. If he settles early I’m in for a good show.
When were you the most technically challenged? Palacios, Leudi and more
Spooner: The most technical course I’ve ever ridden was Leopoldo’s 2nd round for the 2008 $1 Million CN International Grand Prix at Spruce Meadows. It had enormous scope tests, enormous stretch tests, incredible careful tests and it was technical – plus a tight time allowed. I was happy to be clean on Cristallo, finished up 3rd.
Bond: Good question! Leopoldo’s courses are insanely technical and high, specifically the 2008 $1 Million Grand Prix at Spruce. The World Cup qualifiers at Thermal were technical and tall, and the ’04 Olympic qualifiers were also very challenging.
Brown: The Sacramento Grand Prix last November, designed by Leopoldo was the most technical. Followed closely by the World Cup qualifier in Thermal designed by Aki Ylanne (Riihimaki, Finland)
Porter: The 2nd and 3rd rounds of the 2008 World Cup Finals in Sweden, designed by Rolf Leudi, were the biggest and most technical. I had 8 or 12 faults and I was just happy to get through it.
When I walked it I thought it was huge – but didn’t allow myself to think that until after it was over when all the riders were talking about how big the course was.
Fellers: The 2nd round and 3rd rounds of the World Cup final last year owing to the size and width that Rolf Leudi presents. He is probably the top course designer in Switzerland. His stamp is BIG. A lot of what makes up a ‘techincal’ course is height & width – the ride changes a lot with those elements. Distances combined with the size and width –especially the width of some of the oxers – really complicated things. Everybody was walking 2,3,4 times over wondering how to ride it, choosing two different ways to ride the course.
When 16h (that’s eight inches smaller than Cassiato!) Flexible jumped around that 2nd round without touching a fence I thought, ‘This little horse has what it takes. I’ll do everything I can to win.’
Your biggest challenge as an athlete?
Spooner: The balance of sport and life is a challenge as an athlete. Everyday I have to find balance, by setting achievable goals and staying within my ability to maintain them.
Bond: There really isn’t one specific thing so far, except for keeping myself and the horses fit and in fighting shape. Since I haven’t been at top level for very long that will probably change soon!
Porter: As an athlete, my stay in Switzerland at Gerhard Etters challenged my time management and get-the-job-done-well skills. It was also far, far away from home. It was a lot more work to achieve the goals daily than I was used to. I had six horses to care for completely, and I mucked, groomed, rode and competed on all of them. In a given day I sometimes worked with up to 12 horses, depending on how many clients came to try horses. I learned ways to balance the physical work and to keep my head mentally in the right place, not stress out. No one was there telling you what to do, you had to watch, learn and figure it out for yourself. Success or failure was completely up to the individual. I learned a ton over the five years I was there.
Fellers: Actually, my senior year high school I ran track for Yam Hill Carlson High School in Oregon. I had my wisdom teeth pulled the day before I did the high jump in the District Championships. That was so challenging (and painful!) I remember it to this day.
Brown: Producing horses on a regular basis. It’s a challenge but I get my greatest satisfaction producing one from zero to hero.
How do you maintain calm under high pressure?
Spooner: I thrive under pressure. That’s what I signed up for. Countless hours are spent riding in the doldrums. When the wind picks up that’s when I want to be a sailor.
Bond: It’s funny, I used to appear calm but on the inside the adrenalin was pumping. I noticed when I rode well internationally at Spruce that I was calmer in this high-pressure situation. I walk the courses with Richard [Spooner] and focus on the job, which usually calms everything down. I won’t be leaving his side at the World Cup.
Porter: I stay very focused on the task at hand. When I enter the ring, I rarely hear much around me, I am really centered on the job. Otherwise I would be a basket case!
Fellers: At any top level if you feel nervous, use it positively. It’s adrenaline.
There is so much to execute, so I focus on the task at hand, go over the technique, and stay on track. This keeps me from getting distracted and worried.
Brown: The higher the better, otherwise I can get on the lackadaisical side. When the nerve ends are tingling and I’m concentrating hard, then outside influences can’t creep in. When the stakes are high, I perform better.
If you could add any horse to your string, which one would you choose and why?
Spooner: I am happy with the string I have right now. I would love to have Robinson back, but other than that I’m content.
Bond: Any horse in the world? There are so many... Shutterfly and Authentic seem to be my style. Jessica Kurten’s (IRL) Castle Forbes Libertina. But if I had could ride any horse in the World Cup, it would be Cadett 7. We have formed a partnership and really fit well together.
Porter: Shutterfly—it would be interesting to give him a go. I would also love to keep San Diego in the string, what a great ride.
Fellers: Richard Spooner’s Cristallo. He’s a real fighter and athletic, his personality reminds me of Flexible.
Brown: Ludger Beerbaum’s Ratina Z. She was crazy and brilliant.
If you had a day to spend with one clinician/trainer, past or present, who would it be?
Spooner: Hugo Simone, my mentor for years. He’s one of the only top professionals that thought I could be good at this. The most important thing he taught me was to know how much you’re able to drink before you can get on a horse. In all seriousness, though, you can’t learn the most important lessons from one person or one trainer.
Bond: Hugo—Richard’s mentor. Just because I’ve heard so many amazing, funny stories about him. Or Ludger Beerbaum. I can’t leave out Eric Lamaze. For me it’s just as important to watch them ride. I learn so much from that.
Porter: Wow, that’s tough. I watch and learn from almost everyone, everyday is a learning experience. In Europe I rode in a couple Nations Cups and found that Katie Prudent could make you believe in yourself in any situation. There are also so many Europeans that I admire, I watched a lot of them when I was there. Bernie Traurig is a fantastic trainer. Also, I once took a clinic from a cowboy named Tom Dorrance – it was one of the most educational clinics I ever rode in.
Fellers: John Whitaker—been to the bar but not the barn with him.
Brown: I’ve trained with a lot of people over the years, but Richard Spooner is my pinup boy, I think he’s a genius, a wonderful person and trainer. We probably wouldn’t do much riding but we’d have a fun time.
If you had to choose a career path other than equestrian, what would it be?
Spooner: I would have to work outside; I would probably be a gardener or landscape architect.
Bond: I already have one! I just started Bondies with a partner, it's a lingerie sportswear line, a pretty version of sports bras and underpants. It’s what we were lacking in underwear. I took sports bra technology pioneered by Nike and adapted it to a much sexier level. But I can still ride, even, sleep in it. The line is debuting at the World Cup!
Porter: Sports medicine or working in therapeutic horseback riding.
Fellers: I was in school to be a contractor but the economy was so bad (similar to now) that my father advised me to think of another career, so I started a training business.
Brown: A golfer, a left-hander like Phil Nicholson. It’s easier to take golf clubs around the world than horses! Eighteen holes takes four hours – instead of 90 seconds on course where if you screw up the first fence you’re done.
What is on your playlist or what music do you listen to right before/in the midst of/directly after a competition?
Spooner: Maybe the Eagles, Sting, nothing too radical. Cristallo would like Twisted Sister, Ace would like Julio Iglesias.
Bond: Something chill like the Cold War Kids or Rebelution. For Cadett 7 it’s Lupe Fiasco’s Superstar.
Porter: I don’t listen to anything in particular, but I have a friend who calls me and leaves a song on my voicemail. Something that lightens the mood for me, like Van Halen’s JUMP. Justin Timberlake’s Sexy Back for San Diego.
Fellers: I always listen to Stranglehold by Ted Nugent before going out. It’s on my son’s iPod. Flexible would like some classic and hard rock like AC/DC.
Brown: I like Coldplay, sometimes even while riding. Cassiato would listen to Queen’s We Are The Champions.
Thank you all for your time and we look forward to cheering you on from the stands in Las Vegas!
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| At the Back Gate |
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Real Time Show Jumping Updates with EquestriSol on Twitter!
BY ERNA ADELSON
For our readers that are not yet familiar with the latest way to get mobile, instantaneous updates from your favorite news sources, celebrity gossip, and your friends, welcome to Twitter.
Twitter is a service that allows a user to answer the question “What are you doing?” by sending 140 character updates from a mobile phone or the web. These messages, called Tweets, are visible to everyone “following” that user and appear the moment that they are posted. This service has quickly revolutionized the way that the media operates and has transformed social interactions globally. While some may have mixed feelings—we know, Twittering does conjure the image of a tech-obsessed teenager—rest assured that there are plenty of practical applications for this tool, especially in the highly mobile, intricately connected show jumping world.
Using Twitter, EquestriSol will now be able to bring results and updates from the West Coast’s most prestigious horse shows (and who knows where else) the minute that they are posted. Followers will also be able to see news updates, receive reports, know when hot sale prospects are on the market – all this from just about anywhere.
How?
If you haven’t already, check out EquestriSol’s Twitter page. Go to twitter.com/equestrisol. This is your source! Now, follow—and join the conversation. Start your own personal soapbox by signing up for an account at twitter.com, and tweet something about what you’re doing at that moment. We also love feedback! And we will try to respond.
Twetiquette: Twicks of the Twade (sorry, couldn’t resist)
Twitter has quickly formed its own social etiquette, known to Twitter Peeps (Tweeps) as Twetiquette. Twetiquette allows a network of followers to more easily find the information that they want, prevents potentially harmful posts, and assures that the source of information is credible.
Hashtags: 
Hashtags are part of a system that makes finding information on Twitter easier. By marking keywords with the # symbol, users help people searching Twitter find related tweets in one convenient list. EquestriSol will use hashtags to indicate the event we are presently attending (#WorldCup09 for this year’s World Cup).
For example, a tweet from the upcoming World Cup might look like this:
equestrisol: Bond fast and clean in Round 1, Harley Brown in the ring now! #WorldCup09
If you want to get a list of all tweets about the 2009 World Cup, simply search for the tagged term at search.twitter.com.
To pass the info along to your followers, you can Re-Tweet (RT) by crediting and copying the original source. For example:
HorseShowFan: RT @equestrisol: Bond fast and clean in Round 1, Harley Brown in the ring now! #WorldCup09
In Twetiquette, re-tweeting is a major compliment, so RT @equestrisol anytime.
Some other useful equine enthusiasts and news sources you may want to follow:
@USHorseman @EquestrianLife.com
@salehorses @ChronofHorse
@theequinest @TrotonTV
Finally, once you've signed up and add the appropriate app (TwitterBerry or TinyTwitter for the BlackBerry, Tweetie or Twitterfon for iPhones, and Twidroid or TwitterRide for Android mobiles), then tweet and # from wherever you are. See you in the Twittersphere...
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